02/12/2025 - 07/12/2025
Aria Art Gallery is pleased to announce its participation in Art Miami 2025, presenting a vibrant and cohesive selection of works inspired by the soul of Miami, a city of colors and contrasts, where energy, rhythm, and the pulse of Pop converge.
At the booth, visitors will be welcomed by a dynamic selection of silkscreen prints by Pop Art master Andy Warhol, displayed alongside the figurative sculptures and paintings of Carole Feuerman, Salustiano, Thelonious Stokes, Veljko Vučković, and Milija Čpajak. Although stemming from different artistic languages, these works share a common fascination with the representation of the human figure, with its sensuality, presence, and inner complexity. Together, they express an intimate and profound exploration of the human condition.
Moving from figuration to abstraction, Sossio explores the delicate boundary between the visible and the invisible, transforming shifts of identity and fleeting perceptions into expansive compositions of color and form.
The journey continues into immersive digital works with Michelangelo Bastiani, whose holographic installations turn clouds, storms, or dancers into floating, ephemeral visions that oscillate between dream and technology.
At the same time, Cristiano Pintaldi paints images pixel by pixel, reconstructing the RGB structure of digital screens entirely by hand. His works, both analytical and poetic, question the very notion of what is “real” in an age filtered through a screen.
Daniele Sigalot shifts the focus from perception to material. Fragile symbols of imagination are reborn in metal, playful yet precise, transforming the fleeting lightness of paper into enduring form and reflecting on the tension between uniqueness and conformity.
Also working primarily with metal, Angelo Brescianini creates works through gestures that are both violent and poetic, literally shooting at sheets of aluminum, stainless steel, or glass. The punctured and burnished surfaces capture the raw energy of the act, converting destruction into a new form of order.
In a parallel approach, Andrea Guastavino also engages with bullets for this series, but in a reflective and historical dimension. He reinterprets some original photographic negatives from 1915, which depict sections and bullet molds, turning the old glass bromide plates into a contemporary meditation on conflict, memory, and the perception of the image.
“For Art Miami 2025, we wanted to create a dialogue between materiality and illusion, between the tangible and the intangible,” says Antonio Budetta, Director of Aria Art Gallery. “Each artist possesses the ability to translate a precise moment through their unique visual language, transforming it into a timeless form, an artwork suspended beyond the boundaries of time.”
