13/02/2024 - 30/03/2024
We pleased to present the latest edition of the TIMELESSNESS from February 13th to March 30th in the newly opened space of Frascione Gallery in Palm Beach 256 Worth Avenue, Palm Beach
In collaboration with Aria Art Gallery
ARTISTS EXHIBITED:
GIULIANO BUGIARDINI – DIANGO HERNANDEZ – GIROLAMO FORABOSCO – NICOLA SAMORÌ – CARLO DOLCI – ETTORE FRANI – GIOVANNI BATTISTA VANNI – FABRIZIO CORNELI – MAESTRO DELLA LAMENTAZIONE – SALUSTIANO – BENVENUTO DI GIOVANNI – CAROLE FEUERMAN – VANGELISTA DI PIAN DI MELETO – MICHELANGELO BASTIANI
The interconnections between Ancient Masters and contemporary artists unfold as a multifaceted exploration of art through time. Artworks engage in a rich dialogue across centuries, delving into themes, techniques, concepts, and diverse interpretations. Following successful editions aligned with the Florence Biennale dell’Antiquariato since 2015, the 2022 edition of the Timelessness Project emerged through collaboration between Aria Art Gallery and Frascione Gallery. Led by a singular objective, it materialized into a dual exhibition curated by Nataša Radojević. In 2023, Frascione Gallery expanded its influence with a new space in Palm Beach, Florida, which currently hosts the Timelessness project.
Timelessness actively encourages a reconsideration of art history, promoting a continuous dialogue between past and present artistic expressions, tracing a timeline. Because the present inevitably draws from the past, it’s important to establish a connection between them, highlighting their similarities and differences that enrich our perspective, opening new creative worlds and relationships with the artworks themselves. Nataša Radojević
Her narrative in remote time and distant geography may sometimes become as enigmatic as that of a sibyl, but also by virtue of the mystery surrounding words and images, it becomes laden with ever-new and infinite prophecies, which eventually merge with our present, speaking of today, of us. That work, besides being always the same, is thus perennially contemporary, and its evocative nature places it in dialogue with other significant objects that can accompany it, producing inexhaustible narratives of relationship. Massimo Pulini